| 1211 |
Richard II |
Mowbray |
|
|
1.3.154 |
My native English, now I must forgo, | And now my tongue’s use is to me no more | Than an ^unstringed viol or harp^, | Or like a ^cunning instrument cased up^, | Or, being open, put into his hands | That knows no ^touch to tune the harmony^. |
Mow. |
(My natiue English) now I must forgo, | And now my tongues vse is to me no more, | Then an vnstringed Vyall, or a Harpe, | Or like a cunning Instrument cas'd vp, | Or being open, put into his hands | That knowes no touch to tune the harmony. |
|
|
|
453 |
... violl … |
... violl … |
|
1.3.160 |
|
1.3.160 |
|
1.3.160 |
|
|
| 1212 |
Richard II |
SD |
|
|
1.3.237 |
^Flourish^. Exeunt |
SD |
Exit. | Flourish. |
|
|
|
537 |
- |
- |
|
1.3.248 |
Flourish. Exit. |
1.3.248 |
Flourish. Exit [Richard and his train] |
1.3.247 |
Exit. Flourish. |
|
| 1213 |
Richard II |
John of Gaunt |
|
|
1.3.256.21 |
Suppose the ^singing birds musicians^, | The grass whereon thou tread’st the presence strewed, | The flowers fair ladies, and thy steps no more | Than a delightful ^measure or a dance^ |
- |
- |
|
|
|
|
Suppose the singing birds musitions, | The grasse whereon thou treadst, the presence strowd, | The flowers, faire Ladies, and thy steps, no more | Then a delightfull measure or a dance, | |
Suppose the singing birds musitions, | The grasse whereon thou treadst, the presence strowd, | The flowers, faire Ladies, and thy steps, no more | Then a delightfull measure or a dance, | |
|
1.3.288 |
|
1.3.288 |
|
1.3.287 |
|
|
| 1214 |
Richard II |
John of Gaunt |
|
|
2.1.5 |
O, but they say the tongues of dying men | Enforce attention, like ^deep harmony^. |
|
Oh but (they say) the tongues of dying men | Inforce attention like deepe harmony; |
|
|
|
646 |
|
|
|
2.1.5 |
|
2.1.5 |
|
2.1.5 |
|
|
| 1215 |
Richard II |
John of Gaunt |
|
|
2.1.11 |
More are men’s ends marked than their lives before. | The setting sun, and ^music at the close^, | As the last taste of sweets, is ^sweetest^ last |
Gau. |
More are men’s ends markt, then their liues before, | The setting Sun, and Musicke is the close, | As the last taste of sweetes, is sweetest last, |
|
|
|
652 |
More are mens ends markt than their liues before: | The setting Sunne, and Musike at the close,... |
…at the close… |
|
2.1.11 |
|
2.1.11 |
|
2.1.11 |
|
|
| 1216 |
Richard II |
Northumberland |
|
|
2.1.150 |
His tongue is now a ^stringless instrument^. | Words, life, and all, old Lancaster hath spent. |
Nor. |
His tongue is now a stringlesse instrument, | Words, life, and all, old Lancaster hath spent. |
|
|
|
796 |
|
|
|
2.1.149 |
|
2.1.149 |
|
2.1.149 |
|
|
| 1217 |
Richard II |
SD |
|
|
2.1.224 |
^Flourish^. Exeunt King, Queen . . . |
SD |
Flourish. |
|
|
|
871 |
- |
- |
|
2.1.223 |
|
2.1.223 |
[Flourish]… |
- |
- |
|
| 1218 |
Richard II |
Northumberland |
|
|
2.1.264 |
But, lords, we hear this fearful tempest ^sing^, | Yet seek no shelter to avoid the storm. |
Nor. |
But Lords, we heare this fearefull tempest sing, | Yet seeke no shelter to auoid the storme: |
|
|
|
913 |
|
|
|
2.1.263 |
|
2.1.263 |
|
2.1.263 |
|
|
| 1219 |
Richard II |
York |
|
|
2.3.86 |
^Tut, tut, grace me no grace^, nor uncle me no uncle. |
York. |
Tut, tut, Grace me no Grace, nor Vnckle me, |
|
|
|
1198 |
Tut tut, grace me no grace, nor vnckle me no vnckle, |
Tut tut, grace me no grace, nor vnckle me no vnckle, |
|
2.3.86 |
|
2.3.86 |
|
2.3.86 |
|
contemporary musical terms but not in a musical context here |
| 1220 |
Richard II |
Welsh Captain |
|
|
2.4.12 |
Rich men look sad, and ruffians ^dance and leap^ |
Capt. |
Rich men looke sad, and Ruffians dance and leape |
|
|
|
1296 |
|
|
|
2.4.12 |
|
2.4.12 |
|
2.4.12 |
|
|