| Music Reference ID | Work | Character | RSC Line Number | RSC Text | Norton Oxford Line Number | Norton Oxford Text | F1 Character | F1 Text | First Edition Character | First Edition Text | Third Edition Text | Through Line Number | Q1 | Q2 | Q3 | Arden Line Number | Arden Text | Oxford Line Number | Oxford Text | Cambridge Line Number | Cambridge Text | Comments |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1421 | Taming of the Shrew | Bianca | 3.1.71 | ^Gam-ut^ I am, the ^ground of all accord^, | ^A—re^—to plead Hortensio’s passion. | ^B—mi^—Bianca, take him for thy lord, | ^C—fa, ut^—that loves with all affection. | ^D—sol, re^—one ^clef, two notes^ have I, | ^E—la, mi^—show pity, or I die. | Call you this ^gamut^? Tut, I like it not. | Old fashions please me best. I am not so nice | To change true rules for odd inventions. | Bian. | Gamouth I am, the ground of all accord: | Are, to plead Hortensio's passion: | Beeme, Bianca take him for thy Lord | Cfavt, that loues with all affection: | D solre, one Cliffe, two notes haue I, | Elami, show pitty or I die. | Call you this gamouth? tut I like it not, | Old fashions please me best, I am not so nice | To charge [sic] true rules for old inuentions. | 1366 | 3.1.71 | Gamut I am, the ground of all accord -- | A re, to plead Hortensio’s passion -- | B mi, Bianca, take him for thy lord -- | C fa ut, that loves with all affection -- | D sol re, one clef, two notes have I -- | E la mi, show pity, or I die... | 3.1.71 | Gamut, I am the ground ... | 3.1.70 | Gamut I am, the ground of all accord , | A re, to plead Hortensio’s passion. | B mi, Bianca, take him for thy lord, | C fa ut, that loves with all affection; | D sol re, one clef, two notes have I, | E la mi, show pity, or I die. | Call you this gamut ? Tut, I like it not. | Old fashions please me best. I am not so nice | To change true rules for odd inventions. | Q differs minimally in the spelling here: A re and C fa ut, rather than F's Are and Cfaut | ||||||||
| 1422 | Taming of the Shrew | Biondello | 3.2.74 | ^‘Nay, by Saint Jamy, | I’ll hold you a penny’^ | Bion. | Nay by S. Iamy, I hold you a penny, | 1466 | 3.2.79 | 3.2.79 | 3.2.72 | …I hold you… | Ballad? Biondello sings in Arden | ||||||||||
| 1423 | Taming of the Shrew | Tranio | 3.3.20 | The ^quaint musician^, amorous Licio | Tra. | The quaint Musician, amorous Litio, | 1530 | 3.2.145 | 3.2.146 | 3.2.137 | ||||||||||||
| 1424 | Taming of the Shrew | SD | 3.3.55 | ^Music plays^ | - | - | - | - | - | |||||||||||||
| 1425 | Taming of the Shrew | Gremio | 3.3.56 | ^Hark, hark, I hear the minstrels play^. | Gre. | harke, harke, I heare the minstrels | play. | 1563 | 3.2.181 | 3.2.182 | 3.2.173 | ||||||||||||
| 1426 | Taming of the Shrew | - | - | - | SD | Musicke playes. | 1564 | 3.2.181 | 3.2.182 | Music plays | 3.2.172 | Music plays | ||||||||||
| 1427 | Taming of the Shrew | Grumio | 4.1.15 | and therefore ^fire, fire! Cast on no | water^. | Gru. | and therefore fire, fire, cast on no | water. | 1657 | 4.1.16 | 4.1.16 | 4.1.14 | [popular song ‘Scotland’s Burning’] | |||||||||||
| 1428 | Taming of the Shrew | Grumio | 4.1.34 | Why, ^‘Jack boy, ho boy!’^, and as much news as wilt thou. | Gru. | Why Iacke boy, ho boy, and as much newes as | wilt thou. | 1677 | 4.1.36 | 4.1.36 | 4.1.29 | popular song | |||||||||||
| 1429 | Taming of the Shrew | Curtis | 4.1.35 | Come, you are so full of cony-^catching^. | Cur. | Come, you are so full of conicatching. | 1679 | 4.1.37 | 4.1.38 | 4.1.30 | ||||||||||||
| 1430 | Taming of the Shrew | Petruccio | 4.1.120 | [^Sings^] ‘Where is the life that late I led?’ | Pet. | Where is the life that late I led? | 1767 | 4.1.127 | 4.1.125 | (Singing)… | 4.1.111 |