Music Reference ID Work Character RSC Line Number RSC Text Norton Oxford Line Number Norton Oxford Text F1 Character F1 Text First Edition Character First Edition Text Third Edition Text Through Line Number Q1 Q2 Q3 Arden Line Number Arden Text Oxford Line Number Oxford Text Cambridge Line Number Cambridge Text Comments
1431 Taming of the Shrew Petruccio 4.1.125 [^Sings^] ‘It was the friar of orders gray’ Pet. It was the Friar of Orders gray, 1773 4.1.132 4.1.130 (Singing)… 4.1.116 …orders grey…
1432 Taming of the Shrew Hortensio 4.2.17 Nor a ^musician^ as I seem to be Hor. Nor a Musitian as I seeme to bee, 1865 4.2.17 4.2.17 4.2.17
1433 Taming of the Shrew Petruccio 4.3.87 O mercy, God, what ^masquing^ stuff is here? Pet. Oh mercie God, what masking stuffe is heere? 2072 4.3.87 4.3.87 4.3.87 O mercy God! What masking stuff is here?
1434 Taming of the Shrew Lucentio 5.2.1 At last, though long, our ^jarring notes agree^ Luc. At last, though long, our iarring notes agree, 2538 5.2.1 5.2.1 5.2.1
1435 The Comedy of Errors Adriana 2.2.113 The time was once when thou unurged wouldst vow | That never words were ^music^ to thine ear Adri. The time was once, when thou vn-vrg'd wouldst vow, | That neuer words were musicke to thine eare, 508 2.2.113 2.2.116 2.2.104
1436 The Comedy of Errors Antipholus S. 3.2.45 O, train me not, sweet mermaid, with thy ^note^ | To drown me in thy sister’s flood of tears. | ^Sing^, siren, for thyself, and I will dote. S. Anti. Oh traine me not sweet Mermaide with thy note, | To drowne me in thy sister floud of teares: | Sing Siren for thy selfe, and I will dote: 832 3.2.45 3.2.45 3.2.45
1437 The Comedy of Errors Antipholus S. 3.2.161 But lest myself be guilty to self-wrong, | I’ll stop mine ears against the ^mermaid’s song^. Anti. But least my selfe be guilty to selfe wrong, | Ile stop mine eares against the Mermaids song. 953 3.2.162 3.2.168 3.2.147
1438 The Comedy of Errors Dromio S. 4.2.52 No, no, the ^bell^. 'Tis time that I were gone: It was two ere I left him, and now the clock strikes one. S Dro. No, no, the bell, 'tis time that I were gone: | It was two ere I left him, and now the clocke strkes one. 1165 4.2.53 4.2.52 4.2.53
1439 The Comedy of Errors Dromio S. 4.3.21 No? Why, ‘tis a plain case: he that went | like a ^bass viol in a case of leather^; the man, sir, that when gentlemen are tired gives them a ^sob and ‘rests^ them; he, sir, that takes ^pity^ on decayed men S. Dro. No? why 'tis a plaine case: he that went like | a Base-Viole in a case of leather; the man sir, that when | gentlemen are tired giues them a sob, and rests them: | he sir, that takes pittie on decaied men, 1206 4.3.22 4.3.22 4.3.20
1440 The Comedy of Errors Egeon 5.1.310 In seven short years that here my only son | Knows not my feeble ^key of untuned^ cares? Fath. In seuen short yeares, that heere my onely sonne | Knowes not my feeble key of vntun'd cares? 1790 5.1.309 5.1.310 5.1.309