Music Reference ID Work Character RSC Line Number RSC Text Norton Oxford Line Number Norton Oxford Text F1 Character F1 Text First Edition Character First Edition Text Third Edition Text Through Line Number Q1 Q2 Q3 Arden Line Number Arden Text Oxford Line Number Oxford Text Cambridge Line Number Cambridge Text Comments
1481 The Tempest SD 3.3.82 . . . Then, to ^soft music^, enter the [spirits] again, and ^dance^ with mocks and mows . . . SD ... then (to soft Musicke,) Enter the shapes againe, and daunce (with mockes and mowes) ... 1616 3.3.82 …enter the shapes again and dance with… 3.3.82 …enter the shapes again, and dance with… 3.3.82 …enter the shapes again, and dance with…
1482 The Tempest Alonso 3.3.97 The winds did ^sing^ it to me, and the thunder, | That deep and dreadful ^organ-pipe^, pronounced | The name of Prosper. It did ^bass^ my trespass Al. The windes did sing it to me: and the Thunder | (That deepe and dreadfull Organ-Pipe) pronounc'd | The name of Prosper: it did base my Trespass 1634 3.3.97 The winds did sing it to me, and the thunder - | That deep and dreadful organ-pipe - pronounced | The name of Prosper. It did bass my trespass 3.3.97 The winds did sing it to me; and the thunder, | That deep and dreadful organ-pipe, pronounced | The name of Prosper: it did bass my trespass 3.3.97
1483 The Tempest SD 4.1.58 ^Soft music^ SD Soft musick 1715 4.1.58 4.1.58 4.1.59
1484 The Tempest SD 4.1.101 [^Music^. Juno descends to the stage] - - 4.1.101 [Juno descends]
1485 The Tempest SD 4.1.105 [Ceres joins Juno, and] they ^sing^ | ’Honour, riches, marriage-blessing’ SD They Sing. | Iu. Honor, riches, marriage, blessing 1766 4.1.105 They sing 4.1.105 [Ceres joins Juno in the chariot, which rises and hovers above the stage.] They sing… 4.1.106 [Singing] …
1486 The Tempest Ferdinand 4.1.118 This is a most majestic vision, and | ^Harmonious charmingly.^ Fer. This is a most maiesticke vision, and | Harmonious charmingly. 1779 4.1.117 4.1.118 4.1.118
1487 The Tempest SD 4.1.142 To a strange, ^hollow^, and ^confused noise^, the [spirits in the pageant] heavily vanish. SD …to a strange hollow and confused noyse, they heauily vanish. 1807 4.1.138 to a strange hollow and confused noise, they heavily vanish 4.1.138 to a strange hollow and confused noise, they heavily vanish 4.1.143 to a strange, hollow and confused noise, [the spirits] heavily vanish
1488 The Tempest Prospero 4.1.148 Our ^revels^ now are ended. These our actors, | As I foretold you, were all spirits Pro. Our Reuels now are ended: These our Actors | (As I foretold you) were all Spirits 1819 4.1.148 4.1.148 4.1.148 …are ended; these…
1489 The Tempest Ariel 4.1.175 Then I ^beat my tabor^, | At which like unbacked colts they ^pricked their ears^, | Advanced their eyelids, lifted up their noses | As they ^smelt music^. So I ^charmed their ears^ | That calf-like they my lowing followed Ar. Then I beate my Tabor, | At which like vnback't colts they prickt their eares, | Aduanc'd their eye-lids, lifted vp their noses | As they smelt Musicke, so I charm'd their eares | That Calfe-like, they my lowing follow'd 1848 4.1.175 …smelt music; so I… 4.1.175 4.1.175
1490 The Tempest Prospero 5.1.51 And when I have required | Some ^heavenly music^—which even now I do-- | To work mine end upon their senses that | This ^airy charm^ is for Pro. and when I haue requir'd | Some heauenly Musicke (which euen now I do) | To worke mine end vpon their Sences, that | This Ayrie-charme is for 2002 5.1.51 …heavenly music (which even now I do)… 5.1.51 5.1.51