Music Reference ID Work Character RSC Line Number RSC Text Norton Oxford Line Number Norton Oxford Text F1 Character F1 Text First Edition Character First Edition Text Third Edition Text Through Line Number Q1 Q2 Q3 Arden Line Number Arden Text Oxford Line Number Oxford Text Cambridge Line Number Cambridge Text Comments
1791 Two Gentlemen of Verona Julia 4.2.56 He ^plays false^, father. Iu. He plaies false (father.) 1680 4.2.57 4.2.57 4.2.56
1792 Two Gentlemen of Verona Host 4.2.57 How, ^out of tune on the strings^? Ho. How, out of tune on the strings. 1681 4.2.58 4.2.58 4.2.57
1793 Two Gentlemen of Verona Julia 4.2.58 Not so, but yet so ^false^ that he grieves my very ^heart-strings^. Iu. Not so: but yet | So false that he grieues my very heart-strings. 1682 4.2.59 4.2.59 4.2.58
1794 Two Gentlemen of Verona Host 4.2.59 You have a ^quick ear^. Ho. You haue a quicke eare. 1684 4.2.61 4.2.61 4.2.59
1795 Two Gentlemen of Verona Host 4.2.61 I perceive you delight not in ^music^. Ho. I perceiue you delight not in Musique. 1686 4.2.63 4.2.64 4.2.61
1796 Two Gentlemen of Verona Julia 4.2.62 Not a whit when ^it jars^ so. Iu. Not a whit, when it iars so. 1687 4.2.65 4.2.65 4.2.62
1797 Two Gentlemen of Verona Host 4.2.63 Hark what fine ^change is in the music^. Ho. Harke, what fine change is in the Musique. 1688 4.2.66 4.2.66 4.2.63
1798 Two Gentlemen of Verona Julia 4.2.64 Ay, that ‘^change^’ is the spite. Iu. I: that change is the spight. 1689 4.2.67 4.2.67 4.2.64
1799 Two Gentlemen of Verona Host 4.2.65 You would have them always ^play^ but one thing? Ho. You would haue them alwaies play but one thing. 1690 4.2.68 4.2.68 4.2.65
1800 Two Gentlemen of Verona Julia 4.2.66 I would always have one ^play^ but one thing. Iu. I would alwaies haue one play but one thing. 1691 4.2.69 4.2.69 4.2.66