Music Reference ID Work Character RSC Line Number RSC Text Norton Oxford Line Number Norton Oxford Text F1 Character F1 Text First Edition Character First Edition Text Third Edition Text Through Line Number Q1 Q2 Q3 Arden Line Number Arden Text Oxford Line Number Oxford Text Cambridge Line Number Cambridge Text Comments
601 Hamlet Hamlet 2.2.331 What, are they children? Who maintains ‘em? How are | they escoted? Will they pursue the quality no longer than | they can ^sing^? Ham. What are they Children? Who maintains 'em? | How are they escoted? Will they pursue the Quality no | longer then they can sing? 1392 - - 2.2.343 2.2.341 2.2.320
602 Hamlet SD 2.2.351. A ^flourish^ for the Players SD Flourish for the Players. 1415 The Trumpets sound, Enter Corambis A Florish. 2.2.366 2.2.363 A flourish of trumpets 2.2.338 A flourish
603 Hamlet Hamlet 2.2.385 O Jephthah, judge of Israel, what a treasure hadst | thou! Ham. O Iephta Iudge of Israel, what a Treasure had'st thou? 1451 O Iepha Iudge of Israel! 2.2.401 2.2.397 2.2.368 [= ballad]
604 Hamlet Hamlet 2.2.403 the first row of the ^pious chanson^ will show you more, for | look where my abridgements come. Ha. The first rowe of the | Pons Chanson will shew you more. For looke where my | Abridgements come. 1463 the first verse of the godly Ballet | Wil tel you all: for look you where my abridgement comes: …pious chanson…abridgement comes… 2.2.419 2.2.412 2.2.483 …Pans Chanson… [in F2, F3 and F4]
605 Hamlet Hamlet 2.2.480 He’s for a ^jig^ or a tale of bawdry, or | he sleeps. Ham. He's for a Iigge, or a tale of Baudry, or hee | sleepes. 1540 2.2.496 2.2.490 2.2.458
606 Hamlet Hamlet 3.1.143 You | ^jig^, you amble, and you lisp Ham. you gidge, you amble, and you lispe, 1800 You fig, and you amble… you gig & amble… 3.1.145 3.1.145 3.1.138
607 Hamlet Ophelia 3.1.154 And I, of ladies most deject and wretched, | That sucked the honey of his ^music^ vows, | Now see that noble and most sovereign reason | Like ^sweet bells jangled out of tune and harsh^ Ophe. Haue I of Ladies most deiect and wretched, | That suck'd the Honie of his Musicke Vowes: | Now see that Noble, and most Soueraigne Reason, | Like sweet Bels iangled out of tune, and harsh, 1811 - And I of Ladies…musickt vows...out of time, and harsh… 3.1.156 3.1.156 3.1.149
608 Hamlet Hamlet 3.2.61 and blest are those | Whose blood and judgement are so well commingled | That they are not a ^pipe for Fortune’s finger | To sound what stop^ she please. Ham. And blest are those, | Whose Blood and Iudgement are so well co-mingled, | That they are not a Pipe for Fortunes finger, | To sound what stop she please. 1919 - 3.2.66 3.2.63 3.2.58
609 Hamlet SD 3.2.82. Enter ^trumpets and kettle drums. Sound a flourish^ SD Enter King, Queene, Polonius, Ophelia, Rosincrance, Guildensterne, and other Lords attendant with his Guard carrying Torches. 1942 - Enter Trumpets and Kettle Drummes, King… 3.2.87 Sound a flourish 3.2.86 A flourish of trumpets 3.2.81 -
610 Hamlet SD 3.2.83. ^Danish march^. Enter King [Claudius], Queen [Gertrude], Polonius, Ophelia, . . . Guard carrying torches SD Danish March. Sound a Flourish. 1942 - - 3.2.87 3.2.86 3.2.81 Danish march (trumpets and kettle-drums)