Music Reference ID Work Character RSC Line Number RSC Text Norton Oxford Line Number Norton Oxford Text F1 Character F1 Text First Edition Character First Edition Text Third Edition Text Through Line Number Q1 Q2 Q3 Arden Line Number Arden Text Oxford Line Number Oxford Text Cambridge Line Number Cambridge Text Comments
871 Love's Labours Lost Armado 1.2.109   ^Sing^, boy. My spirit grows heavy in love. Brag. Sing Boy, my spirit grows heauy in loue. 426 1.2.116 1.2.116 1.2.99
872 Love's Labours Lost Armado 1.2.111 I say, ^sing^. Brag. I say sing. 428 1.2.119 1.2.119 2.1.101
873 Love's Labours Lost Armado 1.2.161    ^be still, drum^: for your manager is in love Brag. bee | still Drum, for your manager is in loue; 483 1.2.173 1.2.172 1.2.147
874 Love's Labours Lost Armado 3.1.1        ^Warble^, child; make passionate my sense of hearing. Bra Song. | Warble childe, make passionate my sense of hearing. 771 - Warble… 3.1.1        3.1.1        3.1.1       
875 Love's Labours Lost Moth 3.1.2 [^sings^] Concolinel. Boy Concolinel. 774 3.1.3 3.1.3 [sings the song]… 3.1.2
876 Love's Labours Lost Armado 3.1.3 ^Sweet air^! Go, tenderness of years, take this ^key^. Give | enlargement to the swain. Brag. Sweete Ayer, go tendernesse of yeares: take | this Key, giue enlargement to the swaine, 775 3.1.4 3.1.4 3.1.3
877 Love's Labours Lost Moth 3.1.6       Master, will you win your love with a ^French brawl^? Boy Will you win your loue with a French braule? 779 …brawling… 3.1.7 3.1.7 3.1.6      
878 Love's Labours Lost Armado 3.1.7 How meanest thou—brawling in French? Bra. How meanest thou, brauling in French? 780 3.1.8 3.1.8 3.1.7
879 Love's Labours Lost Moth 3.1.8 No, my complete master; but to ^jig off a tune^ at the | tongue’s end, ^canary^ to it with your feet, humour it with turning | up your eyelids, ^sigh a note^ and ^sing a note^, sometime | through the throat as if you swallowed love with ^singing^ love . . . and keep not too long in one ^tune^, but a snip | and away. . . and make them men of ^note^ turning | up your eyelids, ^sigh a note^ and ^sing a note^, sometime | through the throat as if you swallowed love with ^singing^ love . . . and keep not too long in one ^tune^, but a snip | and away. . . and make them men of ^note^ Boy No my compleat master, but to Iigge off a tune | at the tongues end, canarie to it with the feete, humour | it with turning vp your eie: sigh a note and sing a note, | sometime through the throate: if you swallowed loue | with singing, loue sometime through: nose as if you | snuft vp loue by smelling loue with your hat penthouse-like | ore the shop of your eies, with your armes crost on | your thinbellie doublet, like a Rabbet on a spit, or your | hands in your pocket, like a man after the old painting, | and keepe not too long in one tune, but a snip and away: | these are complements, these are humours, these betraie |nice wenches that would be betraied without these, and | make them men of note: 781 ...turning vp your eylids… 3.1.10 3.1.10 3.1.8 [pun on 'note'?]
880 Love's Labours Lost Rosaline 4.1.121   [^sings^] ‘Thou canst not hit it’ Rosa Thou canst not hit it, hit it, hit it, 1114 4.1.124 Thou canst not… 4.1.124 (sings)… 4.1.118 [Singing]…